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Flotsam and Jetsam, 2025.
Don't Look Projects, Los Angeles, in association with SLQS Gallery, London.
Left: Angry Mickey, 2024
Right: As Idle as a Painted Ship on a Painted Ocean.
Photo: Tony Pinto
Right: As Idle as a Painted Ship on a Painted Ocean.
Photo: Tony Pinto
Flotsam and Jetsam, 2025.
Don't Look Projects, Los Angeles, in association with SLQS Gallery, London.
Left: To the Sleeping Woods at Night, 2024
Right: Angry Mickey, 2024
Photo: Tony Pinto
Right: Angry Mickey, 2024
Photo: Tony Pinto
Flotsam and Jetsam, 2025.
Don't Look Projects, Los Angeles, in association with SLQS Gallery, London.
Photo: Tony Pinto
Flotsam and Jetsam, 2025.
Don't Look Projects, Los Angeles, in association with SLQS Gallery, London.
A Wicked Whisper Came, 2024.
Oil and acrylic silkscreen on canvas, 180 x 140cm
Photo: Tony Pinto
Oil and acrylic silkscreen on canvas, 180 x 140cm
Photo: Tony Pinto
A Landscape of Chance, SLQS Gallery. 2024
Left and centre: Diana Taylor
Floor piece: Bev Duckworth
Right: Ella Yolande
Photo: Jo Beeching
Damaris Athene
Floor piece: Bev Duckworth
Right: Ella Yolande
Photo: Jo Beeching
Damaris Athene
A Landscape of Chance, SLQS Gallery. 2024
Hanging: Diana Taylor:
Floor piece: Bev Duckworth
Video: Ella Yolande
Painting: Damaris Athene
Image: Studio Adamson
Floor piece: Bev Duckworth
Video: Ella Yolande
Painting: Damaris Athene
Image: Studio Adamson
A Landscape of Chance, SLQS Gallery. 2024
Jacket hanging: Ella Yolande
Floor piece: Bev Duckworth
Textile hanging: Diana Taylor
Image: Studio Adamson
Floor piece: Bev Duckworth
Textile hanging: Diana Taylor
Image: Studio Adamson
A Painting Show, Benjamin Parsons Gallery, Oxford, 2023
Right: Diana Taylor;
As Eden Sinks into Grief, 2023
Left: Lydia Gifford
Photo: Damian Griffiths
As Eden Sinks into Grief, 2023
Left: Lydia Gifford
Photo: Damian Griffiths
The Crumbling of the Way, A Painting Show, Benjamin Parsons Gallery, Oxford, 2023
The Crumbling of the Way, 2011-23.
120 x 120cm
Background: Hannah Luxton
Photo: Damian Griffiths
120 x 120cm
Background: Hannah Luxton
Photo: Damian Griffiths
A Painting Show, Benjamin Parsons Gallery, Oxford, 2023
Left: As Eden Sinks into Grief, 2023. 180 x 140cm
Right: Lydia Gifford.
Photo: Damian Griffiths
Right: Lydia Gifford.
Photo: Damian Griffiths
Patternicity, Exeter Phoenix Gallery, curated by John Walter and Christina Niederberger, 2022.
Diana Taylor. Entangled Momentarily. 2022. Oil and acrylic on canvas. 170 x 130cm
Sheila Hicks, Penn Ar Rugel. 2020. Linen, cotton and synthetic fibres.
Image: Dom Moore.
Sheila Hicks, Penn Ar Rugel. 2020. Linen, cotton and synthetic fibres.
Image: Dom Moore.
Patternicity, Exeter Phoenix Gallery, curated by John Walter and Christina Niederberger, 2022.
Diana Taylor. Entangled Momentarily, 2022.
Left- Stephen Farthing. Digital Prints overpainted with acrylic.
Foreground: Livia Marin. Nomad Patterns. Porcelain.
Left- Stephen Farthing. Digital Prints overpainted with acrylic.
Foreground: Livia Marin. Nomad Patterns. Porcelain.
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show.
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
A Ghost for Today, William Morris Gallery, 2022.
Final PhD show
Again and Again, 2020
Stitched fabrics, acrylic silk-screen and embroidery thread. Collection of Ministry of Culture, Cyprus
Phantom Yarns, 2021.
Curated by Maria Stathi
Art Seen Contemporary, Nicosia. Cyprus.
Ancient and Modern series
Phantom Yarns, 2021.
Curated by Maria Stathi
Artseen Contemporary, Nicosia, Cyprus.
Phantom Yarns, 2021.
Curated by Maria Stathi
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