Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

Borrowed Time Solo show

Bobinska Brownlee at 36 Great Pulteney St, London
18/5-8/6/24
Photos: Andy Keate

A Landscape of Chance, SLQS Gallery. 2024

Left and centre: Diana Taylor
Floor piece: Bev Duckworth
Right: Ella Yolande
Photo: Jo Beeching
Damaris Athene

A Landscape of Chance, SLQS Gallery. 2024

Hanging: Diana Taylor:
Floor piece: Bev Duckworth
Video: Ella Yolande
Painting: Damaris Athene
Image: Studio Adamson

A Landscape of Chance, SLQS Gallery. 2024

Jacket hanging: Ella Yolande
Floor piece: Bev Duckworth
Textile hanging: Diana Taylor
Image: Studio Adamson

A Painting Show, Benjamin Parsons Gallery, Oxford, 2023

Right: Diana Taylor;
As Eden Sinks into Grief, 2023
Left: Lydia Gifford
Photo: Damian Griffiths

A Painting Show, Benjamin Parsons Gallery, Oxford, 2023

Left: As Eden Sinks into Grief, 2023. 180 x 140cm
Right: Lydia Gifford.
Photo: Damian Griffiths

The Crumbling of the Way, A Painting Show, Benjamin Parsons Gallery, Oxford, 2023

The Crumbling of the Way, 2011-23.
120 x 120cm
Background: Hannah Luxton
Photo: Damian Griffiths

Vines tangling the ruins of our ending. 2023.

Oil, acrylic and embroidery thread on linen.
Each panel 175 x 125cm
Wall painting 300 x 500cm
Seeds, Trees and Mountains, Aga Khan Gallery, London
Photo: Jonathan Goldberg

Vines tangling the ruin of our ending, 2023. Right- Emily Ketteringham '452/523 Collection.

Oil, acrylic and embroidery thread on linen.
Each panel 175 x 125cm
Wall painting 300 x 500cm
Seeds, Trees and Mountains, Aga Khan Gallery, London
Photo: Jonathan Goldberg

Vines Tangling the Ruins of our Ending, 2023.

The work shifted half-way through the exhibition- the mural was 'unpainted' to reflect the 68% loss of biodiversity globally over the past four decades.
Oil, acrylic and embroidery thread on linen.
Each panel 175 x 125cm
Wall painting 300 x 500cm
Seeds, Trees and Mountains, Aga Khan Gallery, London
Photo: Jonathan Goldberg

Patternicity, Exeter Phoenix Gallery, curated by John Walter and Christina Niederberger, 2022.

Diana Taylor. Entangled Momentarily. 2022. Oil and acrylic on canvas. 170 x 130cm
Sheila Hicks, Penn Ar Rugel. 2020. Linen, cotton and synthetic fibres.
Image: Dom Moore.

Patternicity, Exeter Phoenix Gallery, curated by John Walter and Christina Niederberger, 2022.

Diana Taylor. Entangled Momentarily, 2022.
Left- Stephen Farthing. Digital Prints overpainted with acrylic.
Foreground: Livia Marin. Nomad Patterns. Porcelain.

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022.

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography

Phantom Yarns, 2022

Cyprus High Commission, London.
Second Iteration of show.
Images ©BJDeakin Photography